I’ve always loved traditional print design, grid systems and the relentless anxiety of sending finals off to the printers.
For a number of years, I led the design of CODE international magazine, out of our HQ in the charmingly dirty Amsterdam canals.
We travelled to all corners of the world for our features in this bi-quarter distribution of 35k.
From an unlikely perfumer in the South of France to OBEY’s factories in SoCal, we documented and told visual stories of men’s fashion from a quite unique and beautiful perspective.